FOCAL LENGTH PANOLAPSE 1080P
Here's an example of a guy doing this with the original Sony A7 (although only for 1080p output). I've shot time-lapses on my old A6000 and they can be really great so I'm looking forward to trying this out. Panolapse) to zoom in/out and pan around the scene, creating a much more dynamic time-lapse, all while maintaining 4K output resolution.
FOCAL LENGTH PANOLAPSE FULL
I haven't really noticed the moire in any real-world footage I've shot at full frame yet though.Ħ) APS-C lenses are cheaper, so if budget is an issue you can definitely get a wider lens collection much more cheaply in the APS-C spaceħ) When shooting time-lapses there is a big advantage to shooting full-frame, and that's that you can shoot 42MP stills (RAW, ideally), and then use various software (e.g. This flexibility is huge! 1.5x multiplier on all your focal lengths without any loss in resolution! (for video).ģ) Full frame gives shallower depth of field of course, so a more filmic look if you're after it, as most of us are.Ĥ) Super35 video mode on the A7R2 has more rolling shutter, so if you are using APS-C lenses you are stuck with that.ĥ) Super35 mode has no pixel binning, however, so less moire. I recently bought the Zeiss 55mm 1.8 FE and really like the fact that when shooting video I can turn it into an 82mm lens with a few menu button clicks (which should really be one click once Sony gives us the ability to map Super35 toggle to any button). For example I have the Sony 10-18mm f/4 wide-angle zoom (which also works on full frame without vignetting starting around 14mm BTW) it's been tested a bunch on full-frame and offers pretty nice quality with a much smaller size and much less weight than the comparable FE lens (Sony 16-35mm f/4).Ģ) FE lenses give you more flexibility for focal lengths. If you are really interested in stills then obviously you are giving up a ton of resolution on the A7R2's 42MP sensor by going into crop mode.ġ) Some APS-C E-Mount lenses can offer good quality with reduced weight / size compared to FE. FE mount so far, again assuming your primary use is shooting video. Here's a quick summary of what I've found in shooting with APS-C vs.
FOCAL LENGTH PANOLAPSE DOWNLOAD
Download it at panolapse360.I have a bit of experience here as I own an A7R2, I am primarily interested video, and I also own a several APS-C E-mount lenses (and now one FE-mount lens). Panolapse is a software program that adds motion effects to time lapses, without the need for motorized systems. Used tastefully, it can add that extra "wow" factor to your time lapse videos. This effect becomes most apparent with images originally shot with wide-angle lenses or fisheyes. A fisheye perspective bends horizons, magnifies the center, and spans an ultra-wide field of view. You can even construct imaginary lenses such as a "50mm fisheye lens" to view your photo with. Non-fisheye photos can also be converted to fisheye (or vice versa). Panning and zooming are physically correct showing the depth of your scene. This is not a simple "bubble distortion," but a perspective conversion that simulates a fisheye lens with real-world accuracy.
The fisheye effect is a creative tool for your timelapse videos. Images and time-lapses can be converted to fisheyes of any focal length, with animated motion (rotational panning, zooming).
Demo of the new fisheye perspective in Panolapse.
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