- COLORMUNKI DISPLAY ERROR CALCULATING PROFILE UPDATE
- COLORMUNKI DISPLAY ERROR CALCULATING PROFILE FULL
- COLORMUNKI DISPLAY ERROR CALCULATING PROFILE SOFTWARE
- COLORMUNKI DISPLAY ERROR CALCULATING PROFILE FREE
COLORMUNKI DISPLAY ERROR CALCULATING PROFILE SOFTWARE
ICC Profile Name is up to you - you can go with the technical numbers the software auto generates, or you can call it something more human like 'My Fine Art Print Calibration'. Here, we've chosen to load this calibration into mode Calibration 1 So you can, for example, create a general target for sRGB and web use, and a separate calibration for printing, and easily switch between these as needed. Once loaded into the monitor after the calibration process, you can switch between your different calibrations using the mode button on your monitor. Note you can load two or three separate calibrations in most SW models. Here we have chose options for maximum quality and compatibility. Now, we set up the measurement and profile settings.
When you're happy with all your settings, hit Next to continue.
COLORMUNKI DISPLAY ERROR CALCULATING PROFILE UPDATE
(Setting a specific black point value is new in Palette Master Elements version from November 2020 on, so if you can't see this option, please update to the latest version!). if you have set a whitepoint of 100 cd/m2, then if you set a black point of 0.5 cd/m2 (= '0.5 nits') - then you are specifying a contrast range of 100/0.5 or 200:1 - which is about right for most print work, and much better than using the maximum contrast. Contrast is white divided by black, so e.g.
Otherwise, and especially if you want to control contrast (as you generally would want to do, if your goal is specifically to do print work - you want to reduce contrast in that case so that your monitor is a better match for paper) - you would set an actual black point. However, this means your very deep shadows will be less accurate in colour terms.
COLORMUNKI DISPLAY ERROR CALCULATING PROFILE FULL
Absolute here means 'use the full native contrast ration of the panel and set the black to the lowest possible point'. Set as appropriate.īlack Point - (NB Updated November 2020 thanks to the new contrast feature in PME!) This setting depends on whether you want the deepest possible black, or the most accurate black. In the video space, different gammas are often used, such as 2.4. Gamma - For almost all still imaging work, this should be 2.2. If you're doing video work, and you are trying to simulate TVs etc, you will probably want to use a higher figure, or even Maximum for the luminance. 100 cd/m2 is a good starting point, so that's what we have set here. your prints are always darker than you expect, re-calibrate and set a lower figure here (or vice versa if prints are lighter, use a higher figure here).
Luminance - For most print work, somewhere in the range of 80 to 120 cd/m2 is typically appropriate. If you want to constrain the gamut of the monitor, or are aiming to work to a video standard, you could choose e.g. RGB Primaries - BenQ monitors are wide gamut monitors, and we want so see and use all that lovely colour, so we choose Panel Native here. We use 5800K here, which has become a de facto standard for many working in fine art print. Alternatively, if you're doing your own printing (or printing with us here), you will probably find a warmer whitepoint gives you a noticeably better screen to print match. You should probably use this if you are using a typical photo lab for your printing, or entering images into your camera club etc. Whitepoint - The industry standard whitepoint is 6500K (AKA D65).
COLORMUNKI DISPLAY ERROR CALCULATING PROFILE FREE
You can set the following things, and here we provide some basic recommendations, but feel free to ask for more advice if you need it.
On this page we choose appropriate settings for the profiling and calibration to follow.
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